In Laguna, in the historical heart of the Dorsoduro district, by the side of the picturesque Rio of Carmini blows a wind of renewed artistic fertility, wich takes strength and the texture on the beautiful baroque chest on the late seventeenth century of Cà Zenobio, home of the Armenian College Moorat Raphaell, wich presents in the current art season prestige and prominent cultural meeting. Among these, there is the exhibition of the artist Cristina Maulini wich lives and work in Rome.

She made a study of a her's own language by the photography and recovers the analysis of a vision that explores the complexity of the trace. Thank to her amenability of the sign, we are led through a material that hypnotizes us, our eye can get lost in her pictorial monochrome works. At some point we can feel that along the way, every work decides his own directions, runs away from the planning, and the sign comes alive, stratifies, becomes real. It's just an illusion of randomness, and the scrupulous work, the precision that we can immediately find, proves it. The monochrome choice of hers paintings is born from the focus on the sign, perception of the rhythmic movement wich is ready to change the direction, following a wind blow . The obsservation point of hers paintings it's not frontal, neither it is possible to walk around them, but we need to research it from time to time, according to the light , the direction of the signs, about what around us, this visual research favors our attention thus we can better assimilate the ultimate Ceven a breath of music suggestions that guide them, to end lastly in a light scene perhaps only dreamed.