The exhibition will take place on the occasion of 'Palazzo Aperto' in the splendid Palazzo da Mula di Murano (Venice).

Glinkov will present two distinct techniques: drawing on paper with china and drawing with oil technique. The section dedicated to china on paper will consist of 'imprinted' drawings with the ink china named by him 'chinoiserie' as they refer to an ambiguous method rather than an exotic style. The themes are predominantly female or animal figures of sinuous shapes and linear, but partially dissolved. The section dedicated to oil painting focuses on the theme of architecture with a dozen surface-sized oil paintings representing the terminal portions of angular domes and bell towers in corpuscular light.

The artist chose the particular dome architecture, as its elusive form looks like it snaps into the air and light, almost challenging gravity.

The peculiarity of Sergei Glinkov's paintings is that it works in the de-building of the surface and leaves the eyes and minds of those who look to rebuild what remains of form.