Already anticipated by some of the artist’s works on display or “scattered” around the first floor, the exhibition covers all the vast space of the Museum’s second and shows large-sized canvases together with sculptures and other smaller sized works conceived by Marco Tirelli (Rome, 1956) especially for the museum. The paintings portray architectural geometrical abstract elements that refer to states of indeterminateness and transit. Essential forms in which the physical object becomes an excuse to cross the border between light and shadow, thus creating a metaphysical relationship with space: here architecture expands until it disappears in an illusory monochrome that envelops and embraces the viewer, creating an alienating space, a window on perception, a passage way to meditation.