Masterpiece by William Shakespeare, adapted to a direct lexical structure and without filters, which liberates the work of linguistic cobwebs and surrendered by all the complexity, strength, beauty and its extraordinary relevance. Richard the Third, with his violent rage, his fierce lust for power, his killing spree, its 'diversity' strikes at the heart, excites and engages the audience transporting in a tragic and fascinating journey through the dark folds of 'unconscious and in the 'deformity' congenital of human soul.   By Alessandro Gassman.