The exhibition consists of 23 photographs and a video installation in different formats, to which is added a selection of prints taken from the archives of the ICCD. The images were made ​​in several Italian cities, including Rome, Milan, Turin, Florence, Naples, Potenza, Foligno, Taranto, Pescara and include works by famous architects such as Massimiliano Fuksas, Giovanni Michelucci, Paul Portuguese, Mario Botta, Gio Ponti, Ignazio Gardella. The photographs of Giorgio Barrera and Niccolò Rastrelli show a survey of the Italian post-conciliar ecclesiastical architecture, to shoot them in the presence of the faithful. Moving within the tradition of documentary photographers characterize their research in an original way through the choice of the recovery set according to a fixed fee, creating a unique image for every church that always takes the same point of view (that of the priest from 'altar) and is performed at a given time (one of the sacred function). A choice dictated by specific historical reasons: the liturgical reform of Vatican II has in fact determined the displacement of the priest versus populum, in a position facing the assembly. The result of this procedure are images that, through a new look, offering a reflection on the complex relationship between the Catholic Church, contemporary architecture and community of the faithful. They are in fact strict views of the interior of buildings - although reversed compared to the usual point of view - but at the same time a socio-anthropological narrative of today and a portrait of the Catholic community.