The thirty works in the exhibition date from the 1930s to the 1950s, a period when Miranda Visonà immersed herself with great enthusiasm in the artistic life of Venice. As well as a series of Venetian capricci, there is a self-portrait, a portrait of her by Bortolo Sacchi and a rare portrait of Berto Morucchio, one of most important art critics in the Venice of the day and a great admirer of Visonà’s work.